Combining Adventures: Maple at Coggeshall Farm, Bristol, Rhode Island
As the maple season begins, I decided to begin this year’s Adventures
in Rhode Island and discovered a Festival at a living history site—Coggeshall
Farm in Bristol. I planned a trip on Saturday, March 7, 2026, to experience
this site that I’d not been aware of.
Coggeshall Farm is part of the land acquired by the State of Rhode Island from the Samuel P. Colt estate in 1965. When the land was purchased, the property contained several historic buildings which the Bristol Historical Society aimed to preserve. Their efforts led to this parcel of land being transformed into a museum dedicated to farm life, eventually evolving into a living history farm museum. In 2020, the farm partnered with Old Sturbridge Village, which now manages its daily operations, ensuring the site remains a vibrant educational resource.
Upon entering the property, I was greeted warmly by Ethan, who provided me with a map and shared information about the day's activities. The first building I encountered was the Tenant Farmhouse. Inside, I found a well-furnished kitchen featuring a fireplace with a bread oven—though Sara, a staff member, mentioned this feature was not invented in 1790. The kitchen was equipped with various dishes and utensils for cooking and eating, giving a glimpse into colonial life. Sara was just beginning her day’s demonstration, and I made a mental note to return later to see her in action.
I'm not sure if the Tyska Animal Barn, built in 2021, offers an accurate interpretation of
what the farm’s animal housing might have looked like 230 years ago. The first
stall on the left was empty, possibly housing the pigs that played in the yard.
The second and third stalls each held a red cow, while the fourth contained a
run-in for sheep, part of the Old Sturbridge Village flock.
On my way back toward the main house, I passed a docent teaching tree identification, focusing on the sap trees here like Norway maple and sycamore. Interestingly, only the Norway maples appeared to be tapped for sap.
Returning to the kitchen, I found that Sara had prepared French toast in the fireplace and she now demonstrated how she ground nutmeg directly from the seed and maple from the lump that had been formed when the hot sap hardened in the special tall bowls. I don’t believe I’ve ever seen it created like this but it makes perfect sense. Today’s sugar makers create granular sugar after creating the perfect concentration of sugar and keeping it mixing until it dries out. Different temperatures or treatments lead to maple in other forms. Colonists would not have been able to be so precise.
As I prepared to leave campus, I noticed a small millstone near the stone
wall gate. Ethan demonstrated how this simple device functions as a
counterbalance, making it easier to pivot the gate open.
Before leaving, I checked out two small buildings on the edge of the salt marsh. The staff member explained that the smaller building was a spring house, protecting the flow of fresh water. The other building, the cheese house, probably stored cheese and dairy products, keeping them cool. You might be a naturalist if you taste the water in the spring house to determine if it was fresh or brackish. I only tasted a very small amount of water and couldn’t decide if it was fresh from the spring or the snow melt.
I also noticed that the parking area here was crushed shells, probably more easily obtainable here than crushed stone.
Visiting Coggeshall
Farm was a very sweet experience, offering a glimpse into colonial farm life
and traditional practices. My camera and I will definitely return, perhaps not
for the Sheep & Wool Festival this year, but certainly to explore more of
what this historic site has to offer.
(Cross posted with HodgePodgeMaple.com)
Did you find your way here after a hike where Kate was the volunteer photographer? Perhaps you've enjoyed her images or seen her byline on one of many environmental websites. Kate is a naturalist and largely self-taught photographer with a passion for capturing the beauty and urgency of the natural world. Having photographed hundreds of environmental events for nonprofit organizations—entirely self-funded—she is now asking for your help to upgrade her equipment. Your support will allow her to continue providing high-quality, impactful images that support conservation efforts. Ways you can help:
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